The Modern Age: Literature from to by alexis judith on Prezi

 

modern age literature

Sep 05,  · Literature covers all written works including letters and journals, but is best known for novels, poetry and non-fiction articles as found in magazines and newspapers. It should not be confused with modernist literature, even though the two groups are contemporary. It is difficult to decide the exact boundaries of the modern age of literature. A presentation on the literature of the first half of the 20th century. Modernist literature was a predominantly English genre of fiction writing, popular from roughly the s into the s. Modernist literature came into its own due to increasing industrialization and globalization. New technology and the horrifying events of both World Wars (but specifically World.


Modernism - Literature Periods & Movements


The 20th century opened with great hope but also with some apprehensionfor the new century marked the final approach to a new millennium. For many, modern age literature, humankind was entering upon an unprecedented era.

To modern age literature such transformation, modern age literature, outmoded institutions and ideals had to be replaced by ones more suited to the growth and liberation of the human spirit. The death of Queen Victoria in and the accession of Edward VII seemed to confirm that a franker, less inhibited era had begun. Many writers of the Edwardian period, drawing widely upon the realistic and naturalistic conventions of the 19th century upon Ibsen in drama and Balzac, Turgenev, Flaubert, Zola, Eliot, and Dickens in fiction and in tune with the anti-Aestheticism unleashed by the trial of the archetypal Aesthete, Oscar Wildesaw their task in the new century to be an unashamedly didactic one.

In a series of wittily iconoclastic plays, of which Man and Superman performedpublished and Major Barbara performedpublished are the most substantial, George Bernard Shaw turned the Edwardian theatre into an arena for debate upon the principal modern age literature of the day: the question of political organization, the morality of armaments and war, the function of class and of the professions, the validity of the family and of marriage, and the issue of female emancipation.

Nor was he alone in this, even if he was alone in the brilliance of his comedy. John Galsworthy made use of the theatre in Strife to explore the conflict between capital and labour, and in Justice he lent his support to reform of the penal system, while Harley Granville-Barkerwhose revolutionary approach to stage direction did much to change theatrical production in the period, dissected in The Voysey Inheritance performedpublished and Waste performedpublished the hypocrisies and deceit of upper-class and professional life.

Many Edwardian novelists were similarly eager to explore the shortcomings of English social life. Wells—in Love and Mr. Polly —captured the frustrations of lower- and middle-class existence, even though he relieved his accounts with many comic touches. In Anna of the Five Townsmodern age literature, Arnold Bennett detailed the constrictions of provincial life among the self-made business classes in the area of England known as the Potteries; in The Man of Propertythe first volume of The Forsyte SagaGalsworthy described the destructive possessiveness of the professional bourgeoisie; and, in Where Angels Fear to Tread and The Longest JourneyE.

Forster portrayed with irony the insensitivity, self-repression, and philistinism of the English middle classes. These novelists, however, wrote more memorably when they allowed themselves a larger perspective. Nevertheless, even as they perceived the difficulties of the present, most Modern age literature novelists, like their counterparts in the theatre, held firmly to the belief not only that constructive change was possible but also that this change could in some measure be advanced by their writing.

Other writers, including Thomas Hardy and Rudyard Kiplingmodern age literature, who had established their reputations during the previous modern age literature, and Hilaire BellocG. Chestertonand Edward Thomaswho established their reputations in the first decade of the new century, were less confident about the future and sought to revive the traditional forms—the balladthe narrative poem, the satirethe fantasythe topographical poem, and the essay—that in their view preserved traditional sentiments and perceptions.

The revival of traditional forms in the late 19th and early modern age literature century was not a unique event. There were many such revivals during the 20th century, and the traditional poetry of A. Housman whose book A Shropshire Ladoriginally published inenjoyed huge popular success during World War IWalter de la MareJohn MasefieldRobert Gravesmodern age literature, and Edmund Blunden represents an important and often neglected strand of English literature in the first half of the century.

The most significant writing of the period, modern age literature, traditionalist or modern, was inspired by neither hope nor apprehension but by bleaker feelings that the new century would witness the collapse of a whole civilization. The new century had begun with Great Britain involved in the South African War the Boer War; —and it seemed to some that the British Empire was as doomed to destruction, both from within and from without, as had been the Roman Empire, modern age literature.

In his poems on the South African War, Hardy whose achievement as a poet in the 20th century rivaled his achievement as a novelist in the 19th questioned simply and sardonically the human cost of empire modern age literature and established a tone and style that many British poets were to use in the course of the century, while Kipling, who had done much to engender pride in empire, began to speak in his verse and short stories of the burden of empire and the tribulations it would bring.

No one captured the sense of an imperial civilization in decline more fully or subtly than the expatriate American novelist Henry James. In The Portrait of a Ladyhe had briefly anatomized the fatal loss of energy of the English modern age literature class and, in The Princess Casamassimahad described more directly the various instabilities that threatened its paternalistic rule. He did so with regret: the patrician American admired in the English upper class its sense of moral obligation to the community.

By the turn of the modern age literature, however, he modern age literature noted a disturbing change. In The Spoils of Poynton and What Maisie Knewmembers of the upper class no longer seem troubled by the means adopted to achieve their morally dubious ends.

Great Britain had become indistinguishable from the other nations of the Old World, in which an ugly rapacity had never been far from the surface. His fiction still presented characters within modern age literature identifiable social world, but he modern age literature his characters and their world increasingly elusive and enigmatic and his own grasp upon them, as he made clear in The Sacred Fountthe questionable consequence of artistic will.

Man was a solitary, romantic creature of will who at any cost imposed his meaning upon the world because he could not endure a world that did not reflect his central place within it. He did so as a philosophical novelist whose concern with the mocking limits of human knowledge affected not only the content of his fiction but also its very structure. His writing itself is marked by gaps in the narrative, by narrators who do not fully grasp the significance of the events they are retelling, and by characters who are unable to make themselves understood.

James and Conrad used many of the conventions of 19th-century realism but transformed them to express what are considered to be peculiarly 20th-century preoccupations and anxieties.

English literature, modern age literature. Article Media. Info Print Print. Table Of Contents. Submit Feedback. Thank you for your feedback. Load Previous Page.

The 20th century From to The Edwardians The 20th century opened with great hope modern age literature also with some apprehensionfor the new century marked the final approach to a new millennium. Load Next Page. More About. Articles from Britannica Encyclopedias for elementary and high school students.

 

Modern Literature () – NEOEnglish

 

modern age literature

 

Founded in by the great writer and thinker Russell Kirk, Modern Age is the forum for stimulating debate and discussion of the most important ideas of concern to conservatives of all stripes. Under the leadership of acclaimed editor Daniel McCarthy, Modern Age plays a vital role in these contentious, confusing times by applying timeless principles to the specific conditions and crises of. In Modernist literature, it was the poets who took fullest advantage of the new spirit of the times, and stretched the possibilities of their craft to lengths not previously imagined. In general, there was a disdain for most of the literary production of the last century. would become synonymous with the poet in the modern age. This. Sep 05,  · Literature covers all written works including letters and journals, but is best known for novels, poetry and non-fiction articles as found in magazines and newspapers. It should not be confused with modernist literature, even though the two groups are contemporary. It is difficult to decide the exact boundaries of the modern age of literature.